Monday, June 01, 2009

Touring is Never Boring 2

Wednesday, June 1, 2009
1 ... 2 ... 3 ... 4 ... The lights go on, the band starts and the room erupts into chaos. Pamplona, Basque, has historically been a great Metal crowd, and tonight, they are proving themselves once again. As I explained in last month’s issue, Basque considers itself an autonomous state within Spain. The people of Basque country are very hard working and proud. Every time that I’ve been there in the past, whether it had been with Ill Niño, or Machine Head, I could’ve told you the same thing. When a crowd gives off that much energy it makes us play harder. This exchange keeps escalating. It’s like the crowd and the band are equally pouring gasoline into a fire that eventually engulfs the entire room.

After having a show like the one we had that night in Basque country, it recharges your battery. I had been having a rough tour up 'til this point; most of us on the bus were deathly ill with a pretty bad winter bug. On top of that, I was experiencing stomach problems from something that I had contracted during the prior U.S. tour. But, during the show, the adrenalin takes over and you don’t feel anything else. You don’t feel it until about 20 minutes after you walk off stage, when the endorphins wear off and it all kicks in twice as hard.

That night was the last of the five shows within Spain. It was a perfect finale for the Spanish segment of the tour. We were now headed to Montpelier, France, for a filler-show and then off to the U.K. for the final six shows before flying to Russia. We would be playing two shows in Russia and one in Belarus. It would be Ill Niño’s first time in both countries, and we were all looking forward to the adventure. We were hearing every day that the ticket presales for all three shows were doing very well, so we were expecting great crowds.

To get to the U.K., we have to travel on a two-hour ferry from France, to the White Cliffs of Dover. The cliffs have great symbolic value for Britain because they face towards continental Europe across the narrowest part of the English Channel, where invasions have historically threatened, and against which the cliffs form a symbolic guard.

The ferry has a parking area for cars, truck and buses below deck, and shops, bars, restaurants and gambling machines on the above decks. It’s illegal to stay in a vehicle while the ferry is at sea because if it sinks, the parking area is sealed off to keep the water out of the upper decks. If that happened, anyone caught in the parking area would surely drown. The last one of these ferries to go down was over 20 years ago, so most of us are willing to take the risk to get a good night’s sleep.

We usually try to make it to the ferry by around 2 a.m. so that we arrive at British customs at around 4 a.m. This is the best time to get through because they are usually understaffed at these hours, and there are no lines, so we usually skate right through. There were no problems at customs and we were off to London for a much needed day off.

We have mixed feelings about touring the U.K. We usually do well in London, Birmingham and Wolverhampton, but as a whole, the U.K. dates are some of the smallest crowds that we play to in the world – it gets sort of depressing sometimes. Part of the reason for this is that the British press, especially magazines like Kerrang, and Metal Hammer, have a strong influence on what the Metal fans listen to, so, to a certain extent, they kind of control what bands are popular in the U.K. It usually goes in a cycle, too. If you’re a new band with a good amount of hype, the British press will praise you. After you’ve been around for a few years, they will put the same amount of energy into tearing you down … and if you survive that, then they will praise you again. Ill Niño is at the point where we’re just starting to come back from the tearing-down phase, and starting to see glimpses of the re-praising period. So it’s a tough market for us right now, although we still have our core fans that have always been there through thick and thin.

On the day off, an English friend of mine had brought me some antibiotics. By this time, the bug that I had been traveling with during most of the tour had moved into my sinuses, lungs and ears. I think my lowered immunity also caused me to get a tooth infection on top of it all. The antibiotics seemed to help a little, temporarily, but they also made my stomach 10 times worse. The infection eventually came back, so it actually did more harm than good.

As expected, the London show was incredible, small but incredible, nonetheless. The same goes for Birmingham, but the rest were a little under filled. However, the fans that where there were true fans, and we truly appreciate their support, so we still put on the best show that we could.

The last U.K. show was in Bristol. Bristol is a city on the southwest coast of England, east of Cardiff. It was also the official last day of the tour. It was the last night that our support acts, God Forbid and Exilia, would be sharing the stage with us since the Russian and Belarus dates were fly dates that we would be doing alone. All the bands hung out that night, drank, and said our goodbyes. “Ends of tours” are always a mixture of happiness and sadness, especially when you get along really well with the other bands, like we did on this tour. I eventually passed out in my bunk around 4 a.m.

When I woke up the next day around noon, it was raining; the bus was parked at a gas station a few miles from London-Heathrow airport, and across the street from an old, English cemetery. We were parked next to a big van that was going to take most of our equipment to the cartage company that was shipping the stuff back home. We had to separate what was going to Russia with us and what was not. Having to do this in the rain seemed like a fitting end for the week that we spent in the U.K. The bus was unusually quiet. Everyone seemed to be in a somber mood. The rain, which started as a trickle, was now becoming a downpour while people were still trying to separate their luggage outside. As the rain started to crescendo, Laz, our bassist, who still hadn’t separated his luggage yet, looked outside at the rain … and as the mood on the bus seemed to be at its darkest, dreariest, English peak, he turned to everyone and with a smile on his face he said, “Hey, does anyone have an extra umbrella?” His joke brought everyone on the bus to laughter instantaneously. At that moment, the clouds seemed to magically separate enough to allow the sun to shine through, then the rain stopped, and everyone was in a good mood again. It was weird but that’s really how it happened. It was just what we needed, too, since we were about to begin the most anticipated, yet most difficult part of the tour. We were almost at the finish line.

We flew on a Russian airline that I had never heard of before. The plane was very old. I think it was a DC-10 still flying from the '70’s. The walls inside the plane were caked with tar and nicotine left over from the days when smoking was allowed on flights. The bathroom was the dirtiest I’ve ever seen on a plane. The meal didn’t look bad, but the only beverage choices with the meal were wine, vodka or tonic. They had soft drinks, but they were a special request.

I’m usually not nervous about flying, but Dave is. His fear of flying has made him quite knowledgeable on the subject. He’s like an encyclopedia when it comes to airlines, airplanes, airport procedure, etc. ... He can tell you what airlines have the newest fleets, what models of airplanes go down more than others and what country has the most number of crashes. I knew the latter because he told me about three times before we got on the plane. Yes, it’s Russia. More planes go down over Russia than anywhere else. So, I was a little nervous, especially after seeing the inside of this plane.

I think we were all a little relieved when we touched down in Moscow at about 2 a.m. As the plane was pulling into the gate, Diego, our rhythm guitarist, pointed out the window and said, “Look!” I looked out my window, which was on the left side of the plane, behind the wing, and saw what looked like an airplane graveyard. For miles and miles, there were hundreds of old planes that were rusting away in the snow. I was surprised at how old the Moscow airport looked, and how small it was, too.

The three days in Russia and Belarus were spent mostly in hectic travel with scraps of sleep here and there. I didn’t get to do any of the sightseeing that I would have liked to, but I was able to see some of the country from passenger van windows. The image that stuck in my mind the most was seeing old, dirty, and unsafe-looking nuclear reactors that were still being used.

We made it to the first show in Yekaterinburg in just enough time to play the show. The second day in Moscow was the same. There were fans waiting for us as we pulled up in the van. I tried to sign a couple of autographs before I was aggressively escorted into the venue by private security. These guys looked as though they were ex-KGB agents in their fifties, trying to make a living in the new Russia.

The Moscow show was beyond words. It was a 1,500-seat venue and it was packed wall to wall with extraordinarily loud vodka-drinking, Russian lunatics. From the beginning of the set to the end it was just pure adrenalin, although most of us were just running on fumes at this point, due to illness, exhaustion, and the brutal travel schedule.

After the show, we went to the hotels again. This time we had to take an eight-hour train to Minsk, Belarus, at 6 a.m., which meant that we had to be in the hotel lobby by 4 a.m. I don’t think anyone even slept since lobby call was so early.

The train was an old, coal-powered train. I had only seen coal trains in movies but I had never seen one in real life. The burning coal has a very odd smell. It was a vintage toxic chemical smell, different from the more modern toxic chemical smells of today. As you’re inhaling it, you can just feel how bad for you it is to breathe that stuff. Dave was able to strong-arm the promoter into springing extra money for us to have sleeper cabins since the shows were doing so well. So, I popped an Ambien as we were pulling out of the Moscow station and finally got about six hours of half-decent sleep. How wonderful it was.

Belarus was a fantastic, but a more intimate show and a nice way to end the trip. There were a few technical difficulties, such as the panels of the stage literally coming apart beneath my feet and having to worry about falling about eight feet through the stage. But I was OK with that considering everything else that I had been through on this tour. I just picked a sturdy spot on the stage and stayed there the entire show. When the show ended, I felt an overwhelming sensation of relief. It was a hard tour, but we had made it to the finish line, and WE finished strong. It was time to go home.

The next day, we began our two-day journey back to our other lives. Five flights later, I finally arrived in Denver. I made it home around 2 a.m. of the second day, and just collapsed from exhaustion. I spent the next week lying on the couch, recovering, healing, adjusting ... another tour under my belt, another job completed, another payday, and now I get to enjoy my family. :)

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Friday, May 01, 2009

Touring is Never Boring 1

Wednesday, May 1, 2009



There’s a Ramones’ song that says “touring, touring, is never boring” and I would have to say that there is deep insight behind those lyrics. The highs are extreme highs, and the lows can get pretty low, but there’s not much in between. There’s really no “boring” … well … except for, maybe, 17-hour plane rides.

I’m at home, now, in my comfortable bed, typing my recent adventures into my laptop, with my beautiful wife reading a health-food magazine next to me, and my daughter soundly sleeping in the next room. About 10 days ago, I flew in from a five-week European tour. I can remember most of the tour vividly, but at the same time it feels like it was another life, which, in a way, it was.

The tour was appropriately named; “There Goes the Neighborhood,” since it consisted of a mostly Latino Band (Ill Niño), a mostly Black band (God Forbid), and an Italian band (Exilia), and we were playing a mostly White continent (Europe). This sort of light-hearted, race-driven humor was interwoven into everyday life on the tour, but mostly instigated by our drummer, Dave. ....

Most of the shows went very well, and some were great, like the one in Pamplona, Basque, and those last two in Moscow, Russia, and Minsk, Belarus. Moscow, in my mind, was one of the best shows Ill Niño has ever played. I even felt my eyes well up with tears during the show. It was a very emotional and deeply moving experience, although the events leading up to that grand finale were challenging, to say the least.

To start off, I actually missed the first four shows of the tour. My passport had expired without my knowledge, and my manager/drummer, Dave, had hired a less-than-competent passport courier service to do a rush renewal. I would have missed more shows if I hadn’t taken matters into my own hands and gone down to the New York City passport office to get my passport myself. It was the first time in my 10-year professional career that I had ever missed any shows. It was a new and uncomfortable feeling.

We had a band meeting before the tour. We had first considered moving the first few shows to the end of the tour so I wouldn’t miss them. Then we realized that we would be putting our support and opening acts in a bad position. They would have lost money, and they were barely covering their expenses as it was. Also, God Forbid was doing the Lamb of God U.S. tour a few days after our tour ended. That was a really big tour for them. I didn’t want to be the cause of any problems for the other bands, so I told them to go ahead and play the shows without me.

Laz let me stay at his Hoboken apartment until I was able to sort out my passport dilemma. I knew exactly what time my band was going on stage without me every night, and that was the worst part. To make matters worse, I walked out one morning to find that the parking enforcer had put a boot on the rental car that I let Dave persuade me into taking off of his hands, against my better judgment. It ended up costing me like 200 bucks, and a trip to Hoboken City Hall to get it off.

So with my newly acquired passport, I flew in to meet up with the rest of the caravan in Hamburg, Germany. Unfortunately, my luggage, including all my clothes and my new custom flying V guitar that I had waited over year to have built, somehow didn’t make it. I arrived to the venue by taxi. I said hello to everyone that I knew on the tour and introduced myself to the new faces, including the member of Exilia and their crew. Later in the tour, members of Exilia would teach me the fine art of making perfect Italian espresso on the road.

My bandmates expressed how glad they were to see me and how uncomfortable it was for them to play the four shows without me. I was like, “YOU felt uncomfortable, imagine how I felt.” I was secretly a little glad to hear that things didn’t go so smoothly.

The first show of any tour is always a little hard for me since I’m transitioning from trips to Wal-Mart, loading the dishwasher, and Dora the Explorer, to blazing guitars, head banging and circle pits. There are certain muscles that I only seem to be use when I play shows, so the first few times that I use them on a tour, it’s painful. This first show was even a little more difficult, because of what I had to go through to get there. After the show was over, all I wanted to do was sleep. I had been flying all night from the U.S., had a layover in London, lost my luggage, lost my prized new guitar, played a show in the clothes that I flew in, and then had to continue wearing them – and I was beat.

Most European tour buses are double-deckers with the bunks, and a small lounge upstairs and then a big lounge downstairs. Ill Niño had first choice of bunks on this tour since we were the headliner. Before the tour, I had told Diego, Ill Niño’s second guitarist, to reserve the bunk that I usually take on European tour buses. Diego failed to reserve any bunk for me and then failed to tell me, and for some reason, there were 17 people on our bus and only 16 bunks. It ended up that the lowest guy on the totem pole, our new drum tech, was sleeping in my usual bunk. So, I had to pull rank and evict him. I felt bad that he had to sleep in the upstairs lounge along with everyone’s luggage, but not bad enough for me to sleep in the upstairs lounge along with everyone’s luggage, especially after what I had to go through to get there.

The airline finally found my luggage and re-routed it to meet me in Vienna, Austria. It was great timing too, since Vienna is one of our best markets in Europe. I finally had my main guitar, along with clean clothes, my toiletries and a coat! The concert that night was the first one of the tour that I actually felt good about.

There was a really nasty bug going around the bus on this tour. God Forbid’s drummer, Cory, had it pretty bad. He had actually passed out while he was on stage during their performance in Berlin. I knew it was only a matter of time before I got the bug, too; it’s just a part of touring. To add to that, we had an overcrowded bus, I had worn damp clothes and tour buses aren’t exactly the most sanitary places to live. I think it was about three or four days before I started showing symptoms.

Being sick on tour is a horrible feeling; it just magnifies the already grueling living conditions. You feel as though you can never get comfortable, or get any good rest. This, I’m sure, lowers your immunity even more. You never fully recover ‘til you get home since the germs just keep getting spread around through the air ducts. It’s like being in an overcrowded, unsanitary, midlevel hospital. We were basically a giant petri dish on wheels, spreading sickness all over ..Europe.., disguised as musicians. Like a big germ-warfare experiment, our bus was the vessel and we were the contagion.

Sometimes the road just starts to eat at you and you start to feel a little insane. The lifestyle throws you out of balance and you have to try really, really hard to not let it spiral out of control. Everyone has their own demons to fend off and they just seem to become more powerful when you’re out there. That’s why there’s so much alcohol abuse, drug abuse and infidelity among people who share this lifestyle. I feel as though I have a pretty good anchor and moral compass, but when the road does get to me, from time to time, it usually manifests itself in procrastination, unhealthy eating habits, drinking a little more often than I should, and maybe a little Ambien abuse. For some, it’s a LOT worse.

With all that was going on I was trying to stay in good spirits, but it seemed as though there was a dark cloud that was following me since the passport ordeal at the start of the tour. I’m sure this feeling was perpetuated by my declining health. I could feel the infection spreading throughout my body. Not only that, but also during the prior tour in the U.S. with Otep and Walls of Jericho, I had a stomach problem that started in ....Texas.... and had never fully gone away. It seemed to be progressively getting worse on this tour, as well. Usually, talking to my wife and hearing my daughter’s voice can usually put me in a better mood, but I hadn’t been able to talk to them for days now due to computer problems and/or lack of Internet in some of the clubs we were playing.

We did have some great shows, though. We were also doing well in merch sales considering the economy, and we were having a great time hanging out with the God Forbid guys, even though we were all as sick as dogs but we were sick together. C’mon, nothing says male bonding like hacking up loogies together and garbage cans overflowing with everyone’s snot-filled Kleenexes. Hey, I knew that at that very moment, there were many, many people around the world that were suffering through atrocities far worse than I, and all that, but sometimes you just feel like shit. What can you do?.

After Vienna, we headed southwest to Milan, Italy, where we had a day off and then a show. Then we traveled north, through the breathtaking Italian and Swiss Alps to Winterthur, Switzerland, which is about a half-hour northeast of Zurich. We played the Salzhaus, which is one of our favorite stops in Europe. The crowd is always awesome, and so is the catering. The dressing room is spacious and very well lit with natural sunlight so it’s a nice break from the dark, depressing bus and most other dressing rooms on the touring circuit.

There was one more stop in Switzerland before heading further southwest into Spain. It was a city called Fribourg. The crowd was good, but the beer was great. They brew an AMAZING beer in that city called Cardinal. There was a keg of it backstage. But, by the time we left for Spain, at around 2:00 a.m., there wasn’t a drop of it left. Diego and I made sure of that.

Spain has been historically great for Ill Niño, but it’s one of the worst countries in ..Europe.. for vegetarians. I’ve been vegetarian for about 12 years, and recently, even have become vegan, which means that I don’t eat any animal products at all, no milk, no cheese, no eggs. In the past, I had always survived Spain on egg and potato tortas. These tortas are found in almost every eating establishment across the country. This time, I survived on bread and bananas, mostly. I didn’t have a real meal until we hit Madrid. Madrid is one of the major cities of the world so even though it’s Spain, you can still find some decent vegan food. Madrid was the third of five shows in Spain. Aside from technical difficulties and a horrible monitoring system, the show was spectacular and I finally was able to webcam with my wife and daughter!

I feel a little awkward calling the last two shows in Spain dates, out of respect for the many residents who live there who consider themselves their own autonomous communities. The first was in the city of Vigo, in the Galicia community. Vigo is a warm, coastal city that shares many of the same traits of other warm, coastal cities around the world, with bright colors, seafood restaurants, beach people, bars with tropical themes and so on. In fact, the club we played at was dressed up like a huge beach bungalow with beach umbrellas, palm trees and a straw roof over the bar. It was a great show, one of the best of the tour and the beer! They have a beer called Estrella Galicia, which translates to Star of Galicia, and a star it is. I could honestly say that it was one of the best beers that I’ve ever had EVER. It was very clean with no overpowering grain or alcohol taste, but at the same time it felt dense and creamy. It went down really smooth maybe even a little too smooth. The funny thing is that they don’t import it. As I was drinking it, I was thinking, someone could become rich if they imported this.

Diego and I argue about which beer was better, Estrella Galicia or Cardinal in Switzerland, but he’s wrong and I’m right. The great thing about all these European beers is that Europe has strict purity laws that don’t allow the makers to put preservatives in the beer. So if you have a few pints of beer, you wake up the next day feeling fine. American beer has around 14 different chemical preservatives in it and THAT’S what causes the bad hangovers.

The last “Spain” show was in the autonomous community of Basque. The Basque region has always been dear to me. I’ve had the pleasure and privilege to play for the Metal fans of Basque for a decade, since my early days in Machine Head. They are truly some of the best music fans in all of Europe. The people of Basque are very hard working, proud and honest. I usually will spend time with our Basque fans long before the show and long after, as do some of the other band members. In fact, my daughter’s name, Amara, comes from the Basque region. And, they know of her! A few of the fans commented on how beautiful my daughter is and asked how she is doing. The last time we had played Basque, my wife Xylia was on tour with us, and she was actually pregnant with Amara then.

A lot of people came out to the show that night. The club even had to extend the movable walls in the back of the establishment to accommodate more people. By the time we were ready to go on stage, I was feeling pretty run down. My stomach had been getting worse every day. The infection that I acquired in the beginning of the tour had moved into my lungs, my sinuses and my ears. I think my lowered immunity also cause me to get a tooth infection. There was a dull pain in my right upper molar, which became a sharp pain whenever I stepped on the ground too hard.

It was show time. Diego, Laz, Danny and I were all waiting at the door that leads to the stage. The crew had just finished line check, which is where they make sure that all the equipment is working properly before we walk out on stage. This meant that within about 10 minutes, we would be hitting the stage, as long as Dave or Christian weren’t late, which is not too uncommon. I found myself being very anxious since we hadn’t played Basque in a few years. Also, memories of all the other Basque shows that I’ve played in my career were going through my mind, so I was feeling a little nostalgic as well. Casey, our guitar tech and stage manager asked me; “Do you want your guitar now?”

“Yeah,” I replied, but with my mind more on the events to come. So he handed me my guitar in the special way that guitar techs hand guitars to guitar players so that they don’t get entangled in the strap or cord. I usually like to take my guitar a little earlier than the other guys and Casey knows that. He knows all of our quirks. Dave and Christian arrive to the backstage door, a little late, but not too much. We were all accounted for. Casey then asked each of us individually, “Are you ready?” After getting confirmation from each of us, he walks through the stage door to the front of the dark stage, pulls out his flashlight and signals Steve, our sound engineer, to roll the intro. Our prerecorded intro consists of dark hypnotic, tribal drum patterns with barely distinguishable voices that sound like they’re coming out of a transistor radio. The voices are clips from the movie, “Natural Born Killers.” The start of the intro meant that there was about two more minutes. At that point, we usually touch fists with each other individually, followed by a little head nod, which reinforces our unity, and says, “Ok, let’s do this.” The feeling of being sick started to fade away as the adrenalin and endorphins started to kick in. I starting hearing the crowd getting louder and louder, and felt my heart beating stronger and faster.

It was time. The stage was a dim but deep crimson as we walked out, walking slowly, moving ominously to the places that we needed to be standing when the bright lights go on. The noise of the audience was growing louder and louder in anticipation, and we, as well, were strongly feeling the anticipation. The chant, ILL-NEEN-YO, ILL.-NEEN-YO was echoing through the room while the intro was coming to its climactic ending. At any second there was going to be the four stick hits on the hi-hat that precedes the explosion of lights and sound that will thrust the whole room into a chaotic frenzy! And then we heard it! The hi-hat counts off! 1 … 2 … 3 … 4 …

To be continued...

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Wednesday, April 01, 2009

The Haves and the Have-nots

Wednesday, April 01, 2009


Today marks the halfway point of the current Ill Niño European tour. Tonight’s show will be the first of five shows in a row throughout Spain. We’re in the city of Vila-Real, which is a small city on the west coast of Spain near the Mediterranean Sea. Vila-Real is in the province of Castelló, in the Valencian community. After these shows, we’ll go to France for one show, five shows in the U.K., and we’ll be ending the tour with three shows in Russia.

We’re all very excited about the Russian shows since Ill Niño has never been there before. We’ve already heard from Jeff, the guitarist of Devil Driver that the crowds are amazing but travel and accommodations are going to be some of the worst that we’ll ever experience. I think we’re all confident that the shows will make up for it. Jeff was telling Diego that there would be an 11-hour train ride from Moscow to St. Petersburg. It’ll be hot, there won’t be any air conditioning in the train, the windows don’t open and nearly everyone chain smokes. Dave, Diego and I are non-smokers so I don’t think we’ll be enjoying the ride so much.

Russia is going through a transformation period right now. After the fall of communism and the rise of capitalism, the Russian economy went through a major crisis. Millions of people were plunged into poverty. Control of business went from state agencies to violent criminals with inside connections in government. These connections were made through assassinations and extortion. Corruption of government ran rampant. This was coupled with social unrest. Social services collapsed and the birthrate plummeted while the death rate skyrocketed. Things are gradually getting better but at this moment there is still extreme lawlessness. Criminal gangs and organized crime flourishes while murders and other violent crimes spiral out of control.

Before I left the States, my father had also told me about the new rising threat of Russian Nazi Skinhead gangs, who go around and brutally beat, stab and kill non-whites who’ve migrated to Russia from other countries. I checked out a few video news pieces about them on YouTube and sent the links to my bandmates. The ironic thing is that, in World War II, Nazi bullets killed more Russians than any other group of people. I guess that tells you something about the gang’s mentality. With all that said, I still want to do a little sightseeing while we are there. I love history and would really like to see Red Square and the Kremlin. Diego studied political science in college and soon after became an advocate for socialism, so he’d love to see that stuff, too.

The promoter informed us that, for our own safety, they will have to assign us armed security in order for us to do any sightseeing. Normally a band at our level doesn’t require, nor can afford, armed security, but there are some cases where it’s called for, such as this, and, for example, when we play in Central and South America.

South America is a mixture of extreme beauty and extreme ugliness. These polar opposite, in my opinion, are what give birth to so much passionate music, art and culture. The continent is sprinkled with relics and architecture influenced by the historic connection with Spain and Portugal, as well as that of the Pre-Colombian civilizations such as the Mayans and Incas. There are amazing natural wonders, vibrant and colorful cities, and breathtaking landscapes. However, the gap between the rich and the poor is larger in South America than on most other continents. This can be seen in many large South American cities where makeshift shantytowns lie adjacent to skyscrapers and upper-class luxury apartments. This huge gap between the “haves and the have-nots” is considered one of the major causes of crime in Latin America. Crime is becoming the biggest problem in Latin America. They are caught in a vicious circle, where economic growth is thwarted by high crime rates, and insufficient economic opportunity contributes to more crime. In most major cities, armed criminal gangs outnumber the police, so the military has to be called in to assist in battling drug lords and violent criminals. Citizens sometimes seek protection from criminal gangs because in some cases these gangs are more powerful than government.

Ill Niño does very well in all Spanish-speaking countries, especially those of South America, where we play to crowds that are from 2,000 to 4,000 people and sometimes more. Once, we headlined a festival in Mexico City called “Viva Latino,” which was held at a giant soccer stadium. That night, we played in front of seventy thousand people. The performance was broadcasted live to every Spanish-speaking country around the world, as well.

We’ve done record signing sessions in South American record stores that last for four hours or more, with lines of over a thousand people waiting to get signatures and meet us. In instances like this, the promoter will usually provide some sort of military police to make sure things don’t get out of control.

One time after a signing in a record store in a mall somewhere in Mexico City, I wanted to take a walk through the mall with the beautiful woman who would be my wife, Xylia. This was around the time that we had just started dating, so we were both “drunk” with love and infatuation. She happened to be visiting me while I was in Mexico City since we could barely be apart. As we started walking, a representative for our record label in South America stopped us and told us that we needed to be escorted by a security guard. So … we slowly strolled through the mall with our hands romantically interlocked, and about six steps behind us was a stone-faced military guard, dressed in fatigues and wielding a machine gun.

We played a show in Caracas, Venezuela. Venezuela is stunningly beautiful with lush tropical mountains and valleys, but also is one of the poorest and most volatile countries in South America. Venezuela is where our singer Christian grew up before moving to the States in his early teens. It was a special show for him since it was the first time Ill Niño was to play Venezuela. The show started out great, the fans were amazing, but there was one element that didn’t sit right with me during the entire show. And that was the fact that on either side of the stage, there was a military guard holding a shotgun. They were posted there for crowd control reasons. It’s a little different when you see these guys in Venezuela holding guns, than it is seeing military personnel in the States holding guns. When these guys are holding guns and you see the look in their eyes, you get the feeling that they’ve used them, that they’ve probably taken human lives.

The crowds at shows like this are usually pretty excitable and wild. During the show, my main worry was that some over-excited fan would try to climb up on the stage, to stage dive; the security would mistake his enthusiasm as a possible threat to the band and take the fan down with his shotgun. Our tour manager, Benjie, already had a meeting with the guards, and explained to them that the crowd was probably going to get pretty rowdy, climb on stage and stage dive, but that the band is ok with that. Even though the guards were briefed, I still couldn’t get the thought of what could happen out of my head. I knew that if the unlikely scenario actually played out, and a fan were to be killed by a military guard, a massive riot would have ensued, injuring and possibly killing more fans, guards and possibly band and crew members. I knew that the odds of that happening were very slim, but I was thinking of the possibility, nonetheless.

The show ended up being a great one, with little problems. The only thing that went wrong was a stage power issue due to faulty Third-World wiring, and that some of our belongings were stolen out of our dressing room while we were on stage.

It’s also very hard to find promoters who you can trust in South America. In the U.S., Europe, Australia or Japan, a promoter will give us a 20 percent deposit that goes towards our guarantee before we even arrive to play the show, and then we’ll receive the rest of the payment after the show has been played. Sometimes it won’t be ᾿til days later that we receive the remainder of our money because we’ve built a relationship and trust with that particular promoter over many years.

South America is more like the Wild West. There are new promoters all of the time. There are power struggles between existing promoters that sometimes lead to violence, kidnapping or even murder. I had a conversation with a member of another band who was scheduled to do a South American tour. When they arrived in South America the promoter representative met them at the airport and told them that the tour had been canceled because the promoter had been kidnapped. The promoter rep, who was also the brother of the promoter, was mailed the finger of the promoter as proof that he was being held. So…., need I say, in South America, we will demand a 50 percent deposit and the remainder to be transferred into our account by the time we arrive to play the show.

Here’s an example of the type of situation a band might find itself in with a South American promoter. This is actually what happened to us in Santiago, Chile. The show was at a venue that holds about 2500 people. It was sold out in advance and stuffed to the gills. We were sure it was packed well over capacity but of course the promoter was trying to tell us that he didn’t go over capacity so he wouldn’t have to share the extra money with us. The promoter was telling us that the rest of our guarantee would be in our account shortly; he had been saying this all day long. About half an hour before we were supposed to go on stage, the promoter said he had confirmation that the money had been transferred into our bank account. He thought that because we had our minds on the show at that point, we wouldn’t be as concerned about the money and we would play the show without getting paid.

Our manager Dave, who is also the Ill Niño’s drummer and who is ALWAYS thinking about the money …and is from Peru, called our bank. Our bank said that there had been no such transaction. So Dave told the promoter, in Spanish, that we were not going to set one foot on that stage until all of the money was in our account, and if we don’t go on stage, he will have a major riot on his hands. Some of these people saved their salary for months to be able to see this show, so they wouldn’t have been too happy if for some reason the show didn’t happen. It’s not like it is in America where the fans can just get a refund – the promoter would have taken the money and skipped town.

Five minutes before we were supposed to go on stage we finally received confirmation that the wire transfer went through. It was a little weird to go from a situation like that into entertainer mode within five minutes, but this was the first show of Ill Niño’s first-ever South American tour. The fans had been eagerly awaiting this day, this moment for years … and so had we. I actually think the situation only added to our already heightened adrenalin levels. This would end up being one of the most memorable shows Ill Niño has ever played.

Little things in the world bring me a greater feeling of satisfaction than to be able to bring our show to the people in the world that are less fortunate than us – to people who live in poverty, oppression, have suffered abuse or have had to see the horrors of extreme violence or war. These shows are the most special and the most rewarding to me. I know that we’re not making their living conditions any better, nor are we providing food, shelter, medical aid or protection to these people. But, when the kids in the audience look on stage and see other people who have come from similar backgrounds, from places like Venezuela, Peru and Brazil, and that have made it out of the “vicious circle”, when they hear and see the passion in the music that we’re playing, not only does it take them away from their problems for the hour or more that we’re on stage but, more importantly, it gives them ability to dream and it gives them hope. To me this is the most important kind of nourishment; this is nourishment for the soul.

So when I look at the Russian dates on our itinerary, I can’t help but think of the many times we’ve done shows like this in the past and how special those shows usually end up being. I know that the travel arrangements and accommodations are going to be rough, and there will be an element of danger, but we feel honored and privileged to have the opportunity to give our very best performance for our Russian fans. They deserve nothing less.

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Sunday, March 01, 2009

Days Off

Sunday, March 01, 2009
Everyone who tours knows what it’s like to have a day off on tour, but not everyone who tours spends their days off in the same way. I’ve had many days off over the decade of touring that I’ve done and have spent them doing a wide variety of different things. When I first started touring, I would usually spend my days off in a bar or rock club of whatever city I happened to be in. Now that I’m more mature, I usually spend my day off relaxing or if I’m in a really cool city, I’ll try to see some sites. Some cities have so many cool things that even after having visited the cities countless times, there’s always something new to see.

For example, one of the last times I was in Paris, France, I visited the Catacombs for the first time. It was awesome! Miles and miles of skulls and bones neatly stacked against the dimly lit walls of subterranean tunnels and caverns underneath the city streets of Paris. I even learned a little bit about the history of the Catacombs. It had never really occurred to me that a city as large and as old as Paris would have the problem of where to put many, many centuries of their dead. In the seventeenth century it became such a problem that the dead began to overwhelm the city. The living people of Paris were suffering from disease, due to contamination caused by improper burials, open mass graves, and earth charged with decomposing organic matter. This was creating even more dead, so finally they decided to move all the bones of the dead into mass underground tombs and thus creating the Catacombs. It’s a funny thought to think of what lies beneath the city of romance, but at the same time it seems to complete it. Paris encompasses the whole cycle of life because romance usually leads to birth and birth leads to death.

Sometimes days off are travel days. A few European tours ago, we ended the tour playing a huge festival called Viña Rock in Valencia, Spain. It took me almost 48 hours of travel between two vans, one bus, three cabs, three planes and one car to get home. I’m a light sleeper, so I didn’t even really sleep much during that whole excursion.

There are different kinds of travel days. Some are long intercontinental airplane trips. One time we did an Australian tour directly after a European tour. To get to Australia, we flew over what I like to call the back of the Earth since it’s as if you go around the backside of the map. We already had return tickets from London, Heathrow, to get back to the States so we got round-trip tickets to Australia from London. So, in order to get back to the States we had to use our return tickets from Sidney to London, then our other return tickets from London back to New York. So we ended up flying three quarters of the way around “the back of the Earth” to get home. We ended up doing over 30 hours of flying.

Some travel days are just days waiting for a flight. Some are days spent riding in vans, and some are long bus rides, which are known by people in the touring circuit as submarine rides because you’re basically trapped inside the bus for a whole day or two, kinda like being in a submarine.

Sometimes, the way a tour is routed, you may have to play in Stockholm, Sweden, on a Wednesday night and then have to play a festival in Madrid, Spain, on a Friday night, in which case you would have to fly in a second bus driver to drive in shifts with your regular driver. In a case like this, the bus moving for about 36 hours straight with maybe two stops for bathroom breaks and food along the way. You can’t go ”number two” on the bus toilet, so if you have to go, you had better go at one of the stops since the bus can’t make many stops due to time constraints.

There is however, an emergency procedure if you absolutely can’t wait for the bus to stop. Although somewhat risky, this procedure usually only has to be done a few times in a touring professional’s entire career. The official name for it is “bagging it.” The way that it’s done is you take a plastic garbage bag and line the inside of the toilet. Then you do your business in the bag and close it up as quickly as you can. Then, you have to carry this bag out of the bathroom with everyone on the bus watching, and throw it out the window. Usually there’s an eerie silence as you’re walking out of the bathroom holding your bag in your hand, followed by an enormous burst of laughter and razzing from everyone on the bus as you throw your bag out of the window. The laughter and jokes can last anywhere from 10 to 30 minutes after launching your bag.

Some bands take it to another level and try to hit targets with the bag as the bus is driving down the highway. This was the case when I was in Machine Head. It was referred to as “Joe Montana-ing it.” Joe Montana’s name was used because Machine Head is from the San Francisco Bay Area. If Machine Head had come from Denver, it would have probably been known as “John Elway-ing it.”

My favorite days off are spent on a beach. We’ve ended a few tours in Puerto Rico and negotiated with the promoter to spring for a few extra days in the beachfront hotels that they provided for us. The few times we’ve done that, a lot of the guys would fly their girlfriends or wives out. My wife, Xylia, loves when we end tours in Puerto Rico.

Another time, we had a few days off right on the beach in Perth, Australia, when we toured there with Static-X. Perth is located on the southwestern part of Australia, on the coast of the Indian Ocean and it’s absolutely beautiful. Most of us spent a lot of time on the beach and in the water since it was January, right in the middle Australia’s summer. But, none of us took into consideration how harsh the sun was due to the hole in the ozone layer above the Australian continent. None of us bought sunblock 'til the second day, but by then it was too late. By the day of the first show, a lot of us had the worst sunburns that you can imagine. It really sucked, but I look back at it now and laugh.

I’ve been lucky enough to have seen some really cool things on days off. A few years ago, we had a day off in Athens, Greece, where I was able to visit The Acropolis of Athens and the Parthenon. A few years later, we had a day off in Rome. My wife happened to be out with me at that time and we saw the Coliseum, as well as the inside of the Vatican. While we were in Rome that day, Xylia also felt our baby, Amara, kick for the first time inside her womb.

Some days off are just spent in some obscure town in the middle of a random country. We will usually get two hotel rooms for 12 people to relax, take showers and use the Internet. On these days people usually try to call home to speak to loved ones. Cell phones are ridiculously expensive to use overseas, so most people use Skype.

Skype is a downloadable program that enables you to call anywhere in the world using your computer, for pennies a minute. You need a computer headset in order to use it. Most people that tour a lot carry laptops with them. When you walk into a one of our hotel rooms on these types of days off, it looks like you’re walking into a NASA control center or a telemarketing office. Everyone is staring at their laptop screens while wearing headsets. Some people are talking to family members. Some people are doing band business. Some people are quietly trying to talk romantically to a lover, girlfriend or wife. Some people are talking to children, and some people are arguing.

A few months ago, we had a day off in Berlin and a few of us visited Checkpoint Charlie. Checkpoint Charlie was a crossing point between East Berlin and West Berlin during the Cold War. We also walked down the street in Berlin where Hitler had his big Nazi parades. There are lots of blast marks on the older buildings of Berlin left over from the air raids of 1943 to 1945. You can see this sort of thing throughout a lot of Europe. You may see a structure that is still standing from the days of the Roman Empire, but with bullet holes that had been made in World War I or II.

I would have to say my most memorable day off and a day that changed my life was a day off that we had in Krakow, Poland, while I was in Machine Head. We had just played a packed, sold-out show in Krakow and another in Warsaw the night before that, so we were feeling pretty proud of ourselves. We were on our way out of Poland towards Germany when someone asked our bus driver where Auschwitz was. It had been talked about ever since we arrived in Poland. Our driver was really cool and actually hung out with us sometimes, which is rare for drivers. He informed us that it wasn’t that far from where we were. We figured since we only had 10 hours of driving to get to the next show, and 24 hours to do it, we may as well check it out. Auschwitz is open to the public so people can be reminded of the horrible atrocities that human beings are capable of in hopes that nothing like that will ever happen again, as well as to pay respect to the people who were separated from their families, imprisoned, tortured, experimented on and lost their lives there. It takes about four to six hours to walk the entire camp.

While we were there, I recognized a lot of structures like fences, gun towers, buildings, etc, that I had seen from old pictures, war documentaries and Hollywood movies as well, but seeing it all firsthand and actually being there was totally different. I was very humbled and it completely snapped me out of the whole traveling rockstar, we’re “badass” thing.

I was overwhelmed by emotions, but I wasn’t letting that be known to the group of bandmates and crewmembers that I was walking with. I could see how everyone in my group was affected differently; some people seemed to be really moved by what they were seeing, and some seemed to be a little insensitive. I was embarrassed to be with some of them at times because they were making light of things and I didn’t think it was appropriate.

There were many things that day that really made a profound impact on me, like seeing the wooden beds that were about the size of a king size bed and slept seven people, or seeing the toilets that people had to use, which was basically a long concrete slab with holes in it. The holes were about eight inches from side to side and they were staggered on either side of the concrete slab with about six inches between them. People had to be pressed up against each other while they were going to the bathroom. We saw the cremation ovens and the carts that moved along tracks to deliver the deceased to the ovens. We stood inside the gas chamber and saw the hole in the ceiling where SS soldiers would drop cyanide pellets in the room. We saw what was left of the room where Joseph Mengele did experiments on human subjects, although most of the room had been destroyed by Allied Forces towards the end of World War II.

There was a sign on the entrance of one of three different camps that make up Auschwitz. The entrance has an iron gate crowned with the motto, "Arbeit macht frei," which is a German phrase meaning "work brings freedom" or "work shall set you free.” The slogan is known for being placed at the entrances to a number of Nazi concentration camps as a kind of mystical declaration that self-sacrifice in the form of endless labor brings a kind of spiritual freedom. The truth, however, was quite the opposite. I think the part of the tour of Auschwitz that hit me the hardest was seeing the children’s quarters. There were still drawings left that imprisoned children had made that reflected the horrors that they were experiencing at the time. Seeing the drawings was probably the most emotionally intense part for me.

After we all got on the back on bus, most of us seemed to be in a somber mood and not talking much. I also had no desire to eat for a while, as well. I think that mood lasted me for a few days after we had left, but I would never be the same after that experience. I would have to say that I grew up a little that day and realized that there are a lot more important things in life than the small victories and satisfaction associated with playing to packed venues and hearing the roar of the crowd. Not that those feelings aren’t valid, I still enjoy that very much. It’s just that I try to keep it in perspective. I also try to be a more responsible artist and role model since I know that what I do influences other people, and to a small degree, the world that we all live in.

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Sunday, February 01, 2009

My First Tour

Sunday, February 01, 2009
I remember how I felt weeks before my very first professional tour with Machine Head, which was near the summer of 1999. I was very nervous about going on tour for the first time. I think I tried to block it out of my mind most of the time, but I can remember one time in particular that it just became overwhelming.

I was at a Slayer concert with Fear Factory as the main support band. While I was watching Fear Factory, I felt like I had huge rocks in my stomach. I was watching them perform in front of thousands of people at the San José event center, knowing that I would be doing the same thing in the not-too-distant future. I was absolutely terrified, but hid it very well.

I had only performed two other shows with Machine Head and they were both hometown shows in San Francisco. One was a secret show under the name “Ten Ton Hammer” at a small San Francisco club that I had played at for years called Club Cocodrie. The other was a full-on Machine Head show at the Maritime Hall in S.F., which held about 2000 people. Most of the people at those shows had probably seen me perform somewhere around the Bay Area at some time or another over the years, or at least that’s how I convinced myself to not go on stage during those shows, along with a “little” Absolute vodka.

The Ten Ton Hammer show was just a warm-up to break me in. We were supposed to just perform a few Machine Head songs, but mostly cover songs from bands like the Bad Brain, Slayer and the Cro-Mags. This was actually more stressful than playing just Machine Head songs, because on top of learning every Machine Head song, I had to learn about 10 additional cover songs. … Along with writing and learning riffs that would later end up on The Burning Red, which was Machine Head’s third and arguably biggest record. I was playing guitar so much that the tendons in my hands were inflamed and swollen, which made it extremely painful to even play. However, I had to keep rehearsing because I had to learn all those songs.

I don’t know how I made it through that show but somehow I did. The whole night I thought I was playing horribly and that I was gonna get kicked out of the band right after the show. I think the rest of the guys were pretty drunk so they didn’t realize this. The only highlight of the night for me, and … one of the most memorable moments in my career was that Kerry King from Slayer happened to be in town. He came to see the show and he got up on stage and played the Slayer classic, “South of Heaven” with us. Slayer had always been idols to me growing up. I couldn’t believe I was sharing the stage with Kerry King!

The Maritime show was a lot better. I played pretty good and had a little bit of confidence going on, but not a lot. I still felt like I was gonna puke during most of the show. I had been playing shows in the San Francisco Bay Area since the Thrash Days of the late 80s/early 90s, but for some reason this was just a whole other world.

A few months after that Maritime Hall show, we went into the studio to record The Burning Red. About three months after the record was done, we embarked on the first tour of that record cycle.

The night before our first show of the tour, we all met at our rehearsal space where we would be moved into our new living quarters for the next year – a big light blue and silver tour bus with an airbrushed picture of a tropical beach sunset on both sides. The bus was parked outside of our rehearsal space. The road crew was already on the bus and had all the gear loaded up in the trailer before we (the band) arrived. I was shown by our drummer, Dave, how to put my luggage in the bay underneath the bus and then given a brief rundown of the basic rules of the bus: No sh*tting in the toilet, sleep with your feet facing forward so if we crash I don’t break my neck, keep the bays and bus door locked at all times, never drink the water from the sink, never let the water run while shaving, never leave visitors on the bus unattended, etc. … Then I was given a bus key by our driver.

I will never forget our bus driver on that tour. His name was Bubba and he proclaimed himself, “the bagina mayster.” He was trying to say vagina master, but because of a combination of his southern drawl and lack of teeth, it came out “bagina” and “mayster.” He was from the deep, deep, deep South, like Deliverance south, and didn’t seem to have much of an education. The most interesting thing about him was that he wore a necklace that he had custom made. It was a long, gold chain with a golden vagina hanging from it. He took a great deal of pride in that necklace since he was “the bagina mayster.”

He had a sign hanging in the bathroom that I assume he made himself. The sign said, “NO FECIS IN THE TOILET.” He was trying to spell feces, but fell short. The writing looked like it had been done by a four-year-old child. When Adam, the bass player, and I saw the sign, we laughed hysterically. The joke had probably a longer life than any other inside joke in my history with the band. We pronounced it like (fe’ckis). We would use it in the place of the word “sh*t” in sentences. Like, “What kind of fecis is this?” or “He just ate a fecis sandwich.” I know that the way Bubba spelled it, the word would probably have been pronounced “fee’sis,” but “fe’ckis” sounded more like something Bubba would say.

Our first show was in San Diego at a club called the Brick by Brick. We always started our U.S. tours at the Brick by Brick because of the club’s size and capacity. The Brick by Brick is a small club that only holds 300 people. It was always like a little warm-up before the “big stuff.”

This time, the “big stuff” was the La Vida “Loco” tour. The headliner was Coal Chamber, we were main support, Slipknot was before us and then a band called Amen, who featured members of the legendary band, Snot, was the opener.

During the tour, we tended to gel more with Slipknot and Amen than we did with Coal Chamber. Several of the Slipknot guys were always up on our bus partying and/or playing video games. The Amen guys were really cool, too. That’s where I first met Shannon Larkin. He was Amen’s drummer at the time but then went on to play drums for Godsmack. He’s really cool and down-to-earth for being such an amazing musician and performer. One of the guitar players of Amen, Sonny, also became a long-time friend of mine. Sonny started his career in Snot, where he first played with Shannon. Then he went on to play in Hed Pe and Sevendust. Now he’s back in Snot, which I’m very happy to see.

The tour started on the West Coast and headed east. As the tour was progressing, I was getting more and more comfortable in my new role as a professional touring Metal guitarist. I was playing tighter and tighter, and I was developing more and more confidence on stage. About three weeks into the tour I started to feel really good about my performance and really started to come into my own.

During the tour, we had a lot of problems with Coal Chamber and their manager, Sharron Osborne. It always seemed like it was a constant battle, on and off the stage. We were fighting for stage space, set times, sound and lighting restrictions, bus parking – you name it.

You see, sometimes when a support act is getting a better crowd response then the headliner, it’s quite common for the headliner to try to cripple the support act in whatever way they can. Like … limiting the support acts stage space, putting a DB limit on their sound, not letting the support act use the whole lighting rig, and things like that. … And usually, in my experiences, it has the opposite effect. It gives the support act fuel to go out on stage and try extra hard to just crush the headliner. I actually like being the main support act more than being the headliner because I think being in the underdog mindset brings the best out of me.

The most memorable night of that tour was the night the tour came to the Roseland Ballroom in New York City. The Roseland is one of New York’s most historic venues. It holds about 3,500 people and it was close to being sold out that night. The air was thick that night, and the club was packed from wall to wall.

New York shows, as well as Los Angeles shows, are usually the most important shows of a U.S. tour. Not only are the shows bigger than the rest, but there are all kinds of industry people at the shows that include record company people, booking agents, entertainment lawyers, managers, as well as tons and tons of local, national and sometimes international press people, from magazines, radio, webzines, TV, etc. So you absolutely HAVE to pull out everything you have for these types of shows.

Slipknot and Amen both had great shows that night, but at that time in history, Machine Head had the love of the New York City Metal crowd. From the second we set foot on the stage, it was mayhem. The crowd erupted into a rabid frenzy, feeding off of the sound of downtuned ripping guitars. I remember looking out and seeing at least five to seven circle pits going at once. Then they would start to combine until the whole floor would erupt into one huge circle pit with hundreds of people going nuts. That was the first time I had ever seen an insane crowd of that magnitude.

Finally, we closed the set with the Machine Head classic, “Davidian,” which has always been Machines Head’s closer. The crowed was even more insane than they had been throughout the rest of the set since they knew it was the last song. It was pure pandemonium. When the song was over, everyone in the crowd directed all of their energy into cheer and applause. It was thunderous and seemed to go on forever. It was too loud for our frontman Robb Flynn to even speak. So he had to wait a few minutes for the cheering and applause to quiet down before he could express our appreciation to the New York fans for their amazing energy.

Robb started to speak to the crowd. He was speaking from his heart with the utmost sincerity about how incredible the audience had been that night and how we loved playing for them, when all of the sudden, while Robb was in mid-sentence, Coal Chamber’s Kabuki, which is a gigantic banner that goes in front of the stage while the stage is being set up, was lowered in front of us while we were still on stage and while Robb was still talking to the audience. It was obviously done intentionally and maliciously by the Coal Chamber camp … and the crowd knew it!

Outraged, one of the fans in the first row started to tug on the Kabuki. The tugging turned into pulling. Seconds later a few more joined in until the banner started ripping. Most of the fans in the first few rows joined in as well. They were pulling the huge canvas banner to the ground like a pack of hungry wolves as the rest of the Roseland was cheering them on. They had managed to tear the whole entire Kabuki down and proceeded to rip it to shreds until there was nothing left. I don’t think there was a piece left that was bigger than a foot long.

We were in disbelief and amazement, but at the same time we felt like vengeance was being served by the hands of our fans. We couldn’t have asked for a better ending to an already perfect night. We couldn’t have asked for a better story for all of the press and industry people that were there to see it, and we couldn’t have asked for a better response from our fans ... and we knew that there was no way that Coal Chamber was going to try to top that.

When Coal Chamber went on, there wasn’t nearly the amount of electricity in the room as there was during our set. There were even boos coming from some of the people and some people started to leave as well. It wasn’t an all out failure, but I’m sure it wasn’t what they had hoped for.

Later than night, we were outside the bus signing autographs and talking to fans. A lot of them were people that were in the front few rows. They actually had pieces of the banner that they had ripped down earlier as mementos that they wanted us to sign. It was the coolest thing. One of the people that I met was a 14-year-old kid. And not just any kid, he was the first person to start tugging on the Coal Chamber banner. I remembered seeing him do it. I signed his piece of the banner and hung out with him for a while. I even stayed in contact with him over the years, and I’ve watched him grow up. His love for music would guide him on a path similar to my own. He’s made a name for himself recording and touring as the singer of Divine Heresy. Now, Tommy Vext is touring as the frontman and lead singer of Snot. X

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Thursday, January 01, 2009

The Old Alrosa Villa

Thursday, January 01, 2009

On the tour bus, usually posted somewhere near the refrigerator in the front lounge, is an itinerary of all of the dates of the tour. This list includes the date, city, venue name, capacity and the promoter. After we play a show, our tour manager will cross the date off on the list. That way it makes it easy for band and crew, in whatever condition, to be able to figure out where we are, everyday.

I usually look at the itinerary after I wake and have coffee, which on this tour has been about 3:00 p.m. I actually don’t like waking up that late. It’s just that we started the tour on the East Coast, and when we play on the East Coast, the drives between shows are very short since the population is a lot more concentrated. Since the drives are shorter we leave the venue a lot later after shows, which means people are partying on the bus a lot longer, and I can’t fall asleep ‘til the bus pulls out because that’s when people finally call it quits on the partying. It’s usually around 6:00 a.m.

On this tour, there was one date that I couldn’t help but get an uneasy feeling every time I tried to not look at it. It was November 8th at the Alrosa Villa, in Columbus, Ohio. This is the venue where Dimebag Darrell was shot and killed, exactly 3 years and 11 months prior to the day that we were playing. We’d not played the Alrosa since the horrible incident had taken place. Before that, I’d personally played there many times, ever since my very first Machine Head tour over 10 years ago. It was also one of Ill Niño’s hot spots. The shows were always packed and the crowds were great.

I remember us being on a tour bus somewhere in Mexico when we originally heard the news of Dimebag’s death. It was such a shock to us that it didn’t even seem real. I’m sure it was the same for many people. It seemed like a bad dream that we were simply going to wake up from. I had only met Dimebag a few times, but when I had, he was very warm and genuine. He was a “class act.”

One time he had given his leather wristband to our singer, Cris, at a party in London. And, I remember one time in Tokyo when Dimebag, Kerry King from Slayer, a few other guitarists that I don’t quite remember and I did a big, group photo for a Japanese guitar magazine. Dimebag was making all of us laugh during the whole photo shoot. On another occasion, he and his brother had sent bottles of Kettle One® vodka to my band mates and me, back when I was still in Machine Head, as an invitation to do a tour with them. People rarely do that sort of thing in this industry.

Not only was Dime a warm, genuinely good-hearted soul, he was one of the most influential and inspirational Metal guitar players, EVER. He helped to pave the path that anyone who’s making a living playing Metal is currently walking on. He’s held in the highest regard by musicians of ALL styles of music.

After we had heard the news of his passing, we just couldn’t play the Alrosa anymore. So we told our booking agent not to book us there. We tried playing Columbus again at a different venue that was newer and had a better sound system, but it just wasn’t the same. The turnout wasn’t even that good either. So we had just been skipping Columbus in general for about three years.

After not playing there for several years, we had an offer to play at the Alrosa again on this recent tour. The owner of the club and Ill Niño had always had a great relationship to the point where we could call him a friend. After four years away, I guess we felt that playing the old Alrosa again was just something that we needed to do in order to help the healing process for the Columbus Scene, for the Alrosa and for ourselves. So we confirmed the show.

There are typically 12 bunks on an American tour bus, stacked three high with an isle down the middle, which is known as bunk alley. The only privacy you have is a thick curtain that covers your whole bunk from head to toe. There are no windows in the middle of the bus so it’s pitch dark inside a bunk unless you have your light on.

I woke up in my bunk while the bus was still moving. I had no idea what time it was so I looked at my phone. It was around noon. My phone also has GPS so I can open Google Maps and see exactly where we are at any time without having to get up and ask the driver. It turned out that we were about half an hour away from Columbus. There was no way that I could go back to sleep knowing that we were within an hour of being at the Alrosa Villa, so I just decided to get up.

Whenever I’m faced with a fearful or strange situation, the way that I deal with it is to dive right into it before I give myself time to dwell on it. So, as soon as the bus parked in the parking lot of the Alrosa, I just got off the bus and walked into the back door of the venue.

There were a lot of thoughts going through my mind, especially walking through that same door that the gunman had entered the club. But what really surprised me was that as soon as I walked in, I remembered so many positive things that had happened there during the many times I had played there in the past. I remembered all of the great shows we had played. I remembered seeing all of the kids having a great time while we were playing. I remembered meeting fans in the parking lot after shows and hanging out with them for hours sometimes, and I remembered the hospitality of the owner and the staff. There were a lot of great memories that were locked away in my mind because of what else had happened there.

During the rest of the day, we spent most of the time on the bus except for when we did sound check. Some of the friends that we had made in Columbus over the years came by to visit us throughout the day. There were people we hadn’t seen in a long time, including some of the old staff. There was never a mention about what had happened there.

When we played the show later that evening, it was almost as though we hadn’t been away. The show was exactly how I remembered the Alrosa shows. It was packed and alive with energy. I would think it was one of our top three performances of the tour. I saw some familiar faces in the crowd, only a little bit older. I also saw some new faces, kids that had just started coming to shows. I remember thinking how good that was for their scene.

There wasn’t a nanosecond during the show that I wasn’t thinking about Dimebag. And … I don’t know if it was in my mind or if it was something that was really there, but it just seemed like there was an overwhelming intense positive energy on the stage and in the room that night. It’s hard to even put my thoughts into words, but knowing the kind of person Dimebag was … I’m pretty sure that if any of his energy is still there at the Alrosa in any way, it would be a very positive energy. He always seemed to want people to have a good time … and everyone did that night. X

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Monday, December 01, 2008

A Special Night in New York

Monday, December 01, 2008
By Ahrue Luster
It’s about 3:15 in the morning and I’m sitting in my hotel room in Mokena, Illinois, a quiet suburb outside of Chicago. We’ve just spent a nice relaxing day off after a pretty good show and party here in Mokena the night before. The hotel that we’re staying at is a Super 8 right across the street from the Pearl Room, which is the venue that we played at. The Pearl room is a pretty nice, modern venue with maybe 1500 to 1700 capacity. It’s in a strip mall with a gym, a tobacco shop, a computer repair shop, a sushi bar, a White Castle and a Denny’s.

I remember this area very vividly because the last time that we were here, it was in the middle of a blizzard in February, and there was a multiple homicide in another strip mall a few miles away. The description of the suspected killer was someone that had dark skin and dreadlocks, which is also the description of half of my band. And as luck would have it, while Diego, the other guitarist in my band and who fits the killer’s “description,” was sitting in Denny’s having lunch, the police rushed in and arrested him. It seemed that one of the town’s folk, who was also eating at Denny’s, called the police. The person thought Diego might have been the killer.

After explaining to the police the he was in a touring band that was playing at the Pearl Room, they let him go. But then later, the police came to the venue and arrested him one more time for more questioning … this time, while he was in the shower. Then they questioned Laz, our bass player, for a little while before finally deciding that the killer wasn’t a member of Ill Nino.

I’m also pretty sure that this is the same hotel where we watched last year’s incredible Super Bowl on the day off after the last Pearl Room show. Since most of the members of Ill Nino are from NY/NJ, they were bouncing off the walls when the Giants sealed their victory over the Patriots. I was glad to see the Giants win as well since Laz has been known to break things when his team loses and we have to pay for any damages to our hotel rooms.

So far, this current tour is also turning out be a very memorable one. There have been some very special moments and shows that I know I will always remember and hold very dear to my heart for the rest of my life. I’ll share what happened on one of the nights or the tour.

Whenever Ill Nino plays a hometown show in New York City or New Jersey, the shows are incredible and have always been highlights of tours past. This time the New York City show was one that I will never forget. The date was November 4th, 2008 – Election Day. We had all been glued to the television on the tour bus watching the election coverage the whole day. We were all very excited about the historic election that was about to take place.

We went on stage as usual. The venue was packed. Everyone in the crowd was going insane the way they always do when we play a hometown show, but you could also feel a different energy in the air. We were the last of four bands that night. While the other bands were on stage, they would let the crowd know what the electoral “score” was as events were happening. Halfway through our set, between songs, I was tuning my guitar on the side of the stage when someone from the crew came up to me and said, “It’s official, Obama won!” I walked over and told Chris, our singer, the news. He took a sip of water and turned to the crowd and after a slight pause, where I assume he was thinking of the right words, he said, “THIS IS NO LONGER A CONCERT, THIS IS A CELEBRATION. BARACK OBAMA IS OUR NEW PRESIDENT.” The crowd erupted with a cheer that seemed as though it could be heard across the country. Then we went into the next song and the energy between the fans and the band was just off the charts – and it stayed at that level for the rest of the night. It was such an incredible feeling to experience an historic event in a way such as we did.

After the show was over and after the band had cooled down in the dressing room, some of us decided to go back to the tour bus. As we walked outside, it seemed that the excitement that was felt inside the venue was happening everywhere. People on the streets of New York City were shouting, cheering and honking horns. I had never seen anything like it in my life. It was like the whole city of New York was a big party. It was an amazing night. X

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Saturday, November 01, 2008

The Glamorous life of Touring

Saturday, November 01, 2008

I’m sure you’ve seen the MTV videos of bands riding in a plush tour bus, pulling up to the venue that they are playing at, stepping off of the bus in slow motion with their instruments already strapped on, and of course the drummer is holding a pair of drumsticks. The camera pans over to show the name of the band on the marquee, they plug the cables into their guitars and then all the sudden the song starts with the band playing on stage to a packed house of screaming fans.

I saw tons of these videos when I was a kid. That’s why at the mature age of 14, based on all the evidence that I had seen on MTV, I decided that this would be a good solid career choice for me. Had I known then what I was in for, I may have thought twice.

Let me assure you, the reality of touring is NOTHING AT ALL like those videos. In fact, most of the cars, buses, limos, watches, jewelry and even clothing the you see bands wear in these videos is rented for the shoot. I remember my first video shoot with Machine Head, wardrobe gave me some cool clothes and Metal accessories to wear for the video. After the shoot was done, which was about 20 straight grueling hours, they told me I had to give all the things that I wore back. I was like “what?”

That was about 10 years ago. I was very naïve then. Now, I know the realities of what it’s really like and I know what to expect. I’m currently preparing for a 5 week tour across the US with us (Ill Nino), OTEP, and Walls of Jericho. By the time you read this, we will have already started the tour. We’ll be playing the Black Sheep in Colorado Springs on November 26th. (shameless promotion)

I look forward to 8 to 16 hour drives, sharing a space the size of a one bedroom apartment with 11 other people who don’t get the opportunity to bath regularly. Quarters are so close that you start to recognize people by their odors. These guys are like brothers to me, but …DAMN dude, what the hell did you eat.

The bathrooms are disgusting in many of these clubs that we play at and we usually have to shower in them… or not. If you choose to brave the shower, you CANNOT go in without your trusty flip flops for protection. Sometimes you go months without ever seeing your own bathroom, only public and backstage restrooms and an occasional hotel or truck stop shower. Showering in the truck stops is always the creepiest for me since it’s usually very, very late at night and at that time, a lot of the truck stop bathrooms are meeting places for men that might find interest in a movie like Brokeback Mountain. Not that I have anything against that, it just makes me not want to touch anything.

Usually, by the last stretch of a tour, my body is totally jacked up from giving every ounce of energy every night. I’ll have anywhere from 5 to 10 nagging injuries that don’t get better because I’m repeating the same motions every night. Back, neck, knees, shins, ankles, shoulders, wrists, fingers it’s always some combination of these. Let’s face it, the human body wasn’t made to headbang. I’ve actually already developed minor arthritis in my neck as a result of doing it for years. …and there’s no calling in sick unless you’re on your deathbed. I’ve never missed a show because of how I felt. There are just too many people and their families relying on the income from the show. Canceling one show on a tour could possibly put the tour budget in the red.

The hardest part is leaving my family. Since my daughter was born I get sick to my stomach for about the first two weeks of a tour. I see her on a webcam for about a half hour a day and talk to my wife for about an hour a day but it is no substitute what so ever, for being home with them. Sometimes at the end a long tour, it may take days of travel with no sleep on airplanes, shuttles, vans, buses, trains, cabs ect…, to get home. My wife Xylia will pick me up at the Denver airport, and when I see her it’s like gazing upon an angel after traveling through hell.

By no means am I complaining about my job. There are people who have it a lot tougher, for example the brave men and women who serve in the military. I’m just trying to paint a picture that’s more true to life than what’s usually portrayed by the media.

Even though the conditions aren’t luxurious most of the time, or even sanitary for that matter, even though I miss my family so much that it make me sick and even though I have to smell a human odor buffet on a daily basis. I love what I do very much and I’m very appreciative of the opportunity that I’ve been given. I never take it for granted.

Every once and a while during a tour, there will be a very, very special show where the energy in the air is so incredible. The crowd, the band, the sound, the lights, everything in the universe seems to all just come together in harmony so perfectly at that moment in time. I feel an overwhelming feeling of peace amidst the chaos that surrounds me. It’s like the events are happening through me and I am just an observer, like I’m watching events unfold, that had already taken place. It all seems to be happening in slow motion and although I can hear the high decibel sounds pounding around me, it seems quiet and calm. I can see the faces in the crowd and feel the connection between all participants and the universe. The feeling cannot be broken down into the limits of language. It’s truly spiritual, and that’s why I do what I do.

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Wednesday, October 01, 2008

How I Ended Up in Denver

Saturday, October 01, 2008
by Ahrue Luster

Before I begin my column, I would first like to say thank you to all of the great people that I have met within the Colorado metal music scene who have made me feel very welcome here. I’ve been a Colorado resident for about 4 years. I really love the area and I feel very at home here.

I have been moving around since I was a small child. I’ve lived in many places, including Chicago, St. Louis, Honolulu, Las Vegas, New York, New Jersey, Los Angeles, Sacramento, San Francisco Bay Area, and the island of Ibiza off the coast of Spain. I know Ibiza sounds kind of random but as a four year old child, my father and I traveled bohemian style through Europe, Canada, Iceland and Greenland. Hitchhiking, staying in hostels, sleeping in train stations, vans, abandoned buildings, and on boats. During that trip, we ended up staying on Ibiza, at a friend’s house for about 3 months.

I started touring in metal bands about a decade ago and as a result of my semi-chaotic upbringing, it was not very hard for me to get used to the touring lifestyle. I have spent a little less than half of my career touring with Machine Head, and a little more than half of my career touring with Ill Nino. Both bands are touring machines that are still able to tour in most parts of the world extensively to this date.

I have been fortunate enough to travel to many countries on five of the seven continents of the Earth. During my travels, I’ve had a lot of great experiences, met a lot of people, learned a great deal from visiting other cultures and seeing how other people live…and trying their alcoholic beverages.

Actually, I’m not quite the same guy I was when I first started touring. I was young, dumb and full of…well, you get the picture. I have seen and done a lot of crazy (and stupid) things on tour. I used to drink so much vodka that blacking out was something that I did a few times a week. I remember going into a bar on a day off from touring in Tucson Arizona. As I took a sip of my first vodka drink of the evening, I tried to remember the last day that I didn’t get drunk, and I couldn’t remember. I knew that that wasn’t a good thing, but it didn’t stop me from getting drunk again and again, and again.

It wasn’t that crazy all of the time. I would say the first touring cycle that I did with Machine head (The Burning Red tour) and the first touring cycle that I did with Ill Nino (Confession tour) were the craziest.

After one of the last tours of the Confession touring cycle, I just decided that I was getting too old for the crazy lifestyle that I was

living and that I wanted to change. I was basically just tired of it. Two weeks after I made the decision to change my life, we were playing a show at Denver’s Ogden Theater. That’s where I met Xylia who is the love of my life and the woman I married and have a family with. I actually had already known her for over 10 years from the SF bay area but we had fallen out of contact when I started touring with Machine Head.

When I joined Ill Nino I had given up my home in California since Ill Nino was based out of Jersey. But I didn’t want to live in Jersey so I didn’t have a home for a while but we toured so much that I really didn’t need one. I was actually kind of a nomad, vagabond, call it what you will. Eventually I settled down in Denver for obvious reasons. I’m now a Colorado resident and when I’m not on tour with Ill Nino I produce bands here in Denver. I really get a lot of fulfillment out of producing and I hope that the work that I do with the bands in Colorado will help to elevate the scene here. There is the potential for a great metal scene here in Denver. Recently I was asked write a column in the Colorado Music Buzz Magazine. I was very honored to be asked and gladly accepted. So I will be writing a lot from touring experiences both past and present as well as anything else that may be interesting from my world.

I would love to hear your comments and questions so that I can get a good idea of what readers would be interested in reading about and maybe I will post some Q and A too. Take care and HORNS UP! X

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